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^Jones, Jeremy (). „Beneath the Scars”. Christianity Today. Accesat în . Still the band's ability to deliver both post-hardcore edge and power pop hooks—not to mention '80s-inspired guitar solos—keep [the album] worth rocking.
^Heaney, Gregory. „Abandon All Ships biography”. Allmusic. Accesat în . Canadian metalcore band Abandon All Ships combine elements of electronic music and post-hardcore and technical metal into a strangely triumphant hybrid.
^Bradley, Stephen (). „Music Review: ...And You Shall Know Us by the Trail of Dead — Tao of the Dead”. The Washington Times Communities — Riffs. Accesat în . The Trail of Dead has been known as something of a sprawling band ever since the band's first release in 1998. They've always been able to incorporate elements of noise rock and art rock into a post-hardcore foundation that allows for them to wander sonically not only from song to song but within each song itself and never losing the listener's interest in the song.
^Shepherd, Sam. „Alexisonfire - Crisis (review)”. musicOMH. Arhivat din original la . Accesat în . this'll be the third album from this bunch of Canadian emo types [...] if you will play the emo-band by numbers game and remove all the spaces from between the words in your name then you deserve everything you get [...] There's the familiar clash of the dual vocals, part screamo, and part pop melody chanting in evidence, as well as an endless squall of pepped up guitars, which feature heavily in these days of post hardcore and emo.
^ abcGoforth, Andrea Dawn. „Crash”(album review). The Fish. Christianity Today. Accesat în . A post hardcore sound a la Anberlin and Emery...
^ abcdefghijklmnopqrstuTerich, Jeff (). „The 90-Minute Guide — Post-Hardcore”. Treblezine. Accesat în . My Chemical Romance, Thrice and Alexisonfire may be considered post-hardcore by some, but, well, they suck. In this guide, I chose to focus on the most innovative and consistently good bands under the post-hardcore umbrella. Going in a sort of zig-zagging chronological order, here are the true essentials.
^Freeman, Phil. „Heat Fetish — The Bled AllMusic”. AllMusic. AllMusic. Accesat în . The Bled are relatively unconcerned with melody, edging more toward the metal side of post-hardcore than the alternative/emo side. There are brief bursts of prettiness, as well as guitar breaks/solos that sound like malfunctioning video game consoles on songs like "Smoke Breaks" and "Need New Conspirators," while "Crowbait" and "When Exiting Your Vehicle" feature momentarily diverting production tricks, and a clean chorus or two crops up here and there.
^John "Flip" Choquette (iunie 2011). „With Shivering Hearts We Wait”(album review). Jesus Freak Hideout. Accesat în . Four years later, Christian music's most popular Swedish post-hardcore band returns...
^Alex Henderson. „Portraits — Bury Tomorrow | AllMusic”. Allmusic. Accesat în . and while Portraits isn't a five-star treasure, it is still a cut above many of the screamo/post-hardcore/melodic hardcore releases of the late 2000s/early 2010s.
^ abcGotich, Lars (). „pg. 99: A Document Revisited”. NPR. Accesat în . [...]there's a renewed interest in the emotional post-hardcore that bands like pg. 99, Orchid, Circle Takes the Square and Majority Rule pioneered, mostly by an audience that was far too young to hear it the first time around.
^Roth, Kaj. „New Medicines”. Melodic.net. Arhivat din original(album review) la . Accesat în . New Medicines...is a show of splendid posthardcore/emo of the higher echelon.
^Tom Aylott (). „I Am Empire release new music video”(news). Punktastic.com. Accesat în . Post-hardcore mob I AM EMPIRE have released a music video for their song 'Saints And Sinners'.
^Apar, Corey. „Inhale/Exhale”. AllMusic. Accesat în . Based out of Canton, OH, the group combined their Christian faith with...post-hardcore into a melodic yet unforgiving sound to call their own.
^Leahey, Andrew. „In Fear And Faith”. AllMusic. Accesat în . Formed in 2006 in San Diego, CA, In Fear & Faith wasted little time establishing...their blend of furious instrumentation, electronic flourishes, and screamo vocals.
^Chrysta Cherrie (). „Wildlife — La Dispute AllMusic”. AllMusic. Accesat în . Grand Rapids, Michigan-based post-hardcore purveyors La Dispute have grown significantly since the release of debut record Somewhere at the Bottom of the River Between Vega and Altair in 2008, and the proof is in sophomore album Wildlife.
^Mischa Pearlman (). „BBC — Music — Review of letlive. - Fake History”. BBC Music. Accesat în . There have been numerous comparisons to that Swedish post-hardcore troupe thrown at letlive., as well as mentions of other acclaimed pioneers of the genre such as Glassjaw and At the Drive-In. But Fake History firmly establishes letlive.
^Greene Jr., James (). „The Weakest Cut: Siamese Dream”. Crawdaddy Magazine. Accesat în . [...] This is understandable, considering what end of the spectrum Albini hails from. The guy once fronted a post-hardcore outfit called Rapeman and has written too many scathing punk indictments of mainstream society to count. [...]
^Dumais, Éric (). „"Hiding Small Things in Obvious Places" de Riverbeds: violon d'Ingres”. Bible Urbaine. Accesat în . [...] Influencé par les groupes post-rock/hardcore Thrice, Circa Survive et The Almost, le jeune quatuor a certainement du cœur au ventre et quelques mélodies béton lui assurant une place dans la cour des grands. [...]
^Bradley, Stephen (). „Concert review: Kevin Seconds”. The Washington Times Communities — Riffs. Accesat în . [...] Where most punks from the '80s hardcore scene made the transition into hard rock or post hardcore outfits like Rollins Band and Fugazi, it still seems natural that he would make the jump into the acoustic side of things. [...]
^Robbins, Ira; Sprague, David. „Saccharine Trust”. TrousserPress.com. Accesat în . Too early to be post-hardcore but too uncommon for any simple classification, this Southern California quartet doesn't try to create a blizzard of noise — they go at it more artfully, but with equally ear-wrenching results. [...]
^Monger, James Christopher. „Lost in the Sound of Separation — Underoath | AllMusic”. Accesat în . 2006's Define the Great Line proved to be a turning point for faith-based, post-hardcore/screamo outfit Underoath. While the tendency to dissolve into the abyss of angtsy emo-pop was still there, there was a darkness lurking in the nooks and crannies between the crackling snare hits and heavy "drop-d" riffing that hinted at a little pre-evolution, a notion that comes to fruition with their sixth studio record and fourth for Solid State (the metal subdivision of Tooth & Nail Records).
^Monger, James Christopher. „Define the Great Line — Underoath | AllMusic”. AllMusic. Accesat în . On their third full-length release, the Florida-based rockers have found the delicate middle ground between throat-shredding grindcore and My Chemical Romance/From Autumn to Ashes-style emo-punk, utilizing the highly flexible voice of Spencer Chamberlain as a compass for both melody and cacophony.
^Longbottom, John (). „We Are The Ocean — Cutting Our Teeth”. Rock Sound. Arhivat din original la . Accesat în . ...the debut album from Harlow’s post-hardcore five-piece is proof that good things really do come to those who wait.
